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NewsNov 28, 2017

Dance Therapy program honored for innovation

American Dance Therapy Association recognizes Lesley’s hybrid model

A dancer leaps in a Lesley dance studio.

The American Dance Therapy Association has recognized Lesley with the 2018 Innovation Award for establishing a new way to learn dance/movement therapy.

In 2013, Lesley pioneered a hybrid program that combines online coursework with in-person instruction – a method that has been gaining an international audience.

Program Coordinator and Associate Professor Nancy Beardall accepted the award this month on behalf of Lesley at the annual conference of the American Dance Therapy Association in San Antonio, Texas.

Nancy Beardall wearing a purple top speaks at a podium.
Nancy Beardall speaks at the American Dance Therapy Association award ceremony.

The association is the governing body of dance therapy programs and practitioners across the United States. Each year, the its board of directors chooses an individual or group that has impacted the field through new, original and inventive methods to receive the Innovation Award.

“It shows they respect the new model,” Beardall said of the award. “It was really incredible to accept this award on behalf of everyone.”

Innovating a hybrid model

The ADTA award: a glass teardrop-shaped trophy printed with "Lesley Hybrid Program."

Lesley has a well-established dance movement therapy master’s program, but creating a low-residency version of it was an involved process. Our low-residency Expressive Therapies PhD program laid some of the groundwork, which Beardall and her colleagues used as a starting point. From there the Expressive Therapies Division formed a think tank to design a program that would give students crucial interaction with instructors and peers despite being in different locations.

The result was a hybrid low-residency program that brings cohorts together for three weeks each summer, while the rest of the coursework is done online through video conferences and other interactive tools.

Since its launch, the program has been refined with feedback from students and technological updates. It’s also begun to garner international attention.

In 2016, Beardall and dance movement therapy faculty members Valerie Blanc, Nancy Jo Cardillo, Shira Karman and Jennifer Wiles published “Creating the Online Body,” a paper explaining the program, in the American Journal of Dance Therapy.

A group of Lesley faculty also traveled to Poland in September to present the DMT program to educators and practitioners of the European Consortium for Arts Therapies Education.

As a result, many dance movement therapists have been interested in learning more about the inner workings of the program.

“I do think down the road other programs will be doing similar things,” Beardall said.

That will only serve to expand the field, something Beardall believes is crucial to help the many patients who have no access to expressive therapy. Lesley’s program has already helped to expand the field.

“By providing a low residency dance therapy program we reach students nationally and internationally who would never have been able to become dance therapists, which in turn helps many underserved communities globally to receive much needed care through dance therapy,” said David Katz, dean of the Graduate School of Arts and Social Sciences.